What the Story of Grace Is All About: An Excursus on Colossians 1:15–20

The Story of Grace, as a theological project, highlights how God reveals Himself through creation and redemption. The Triune God—Father, Son, and Holy Spirit—unfolds a tale of love, inviting all things into communion with Him. This story is more than just history; it shows a purpose, supporting Jonathan Edwards’s idea that “the great end of all God’s works is the glory of God,” seen in the ongoing redemption of creation. Within this narrative, divine grace and human actions connect, emphasizing the need for faith and obedience in accepting God’s call. The various stories that emerge showcase different aspects of grace, linking to our own challenges and victories. By understanding grace, we see not only the larger story of redemption but also our roles in this divine journey, deepening our understanding of our relationships with God and one another.

Started in June 2023, this project explores early religion and the idea of divine economy (oikonomia) as explained by Irenaeus of Lyons, who viewed Christ’s redemptive work as a “recapitulation” (anakephalaiosis) of all creation, reversing Adam’s fall and restoring harmony in the Trinitarian life. Central to this is the early Christian hymn from Colossians 1:15–20, which Paul uses to declare Christ’s cosmic authority, interweaving protology (origins), soteriology (salvation), and eschatology (ultimate ends) into a unified tapestry of grace that shows the unity and diversity of God.

This hymn, resonant with the Wisdom traditions of Proverbs 8 and the Logos theology of John 1, declares:

15 The Son is the image of the invisible God, the firstborn over all creation. 16 For in him all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. 17 He is before all things, and in him all things hold together. 18 And he is the head of the body, the church; he is the beginning and the firstborn from among the dead, so that in everything he might have the supremacy. 19 For God was pleased to have all his fullness dwell in him, 20 and through him to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross. (Colossians 1:15-20)

In this passage, the apostle presents a Trinitarian story where the Son, as the image of the Father, conveys the Father’s creative command and the Spirit’s life-giving presence, promoting shalom—a complete flourishing that looks forward to the new creation mentioned in Isaiah 65:17–25 and Revelation 21:1–5. This story highlights the deep connection between the three divine persons: they are united without losing their individuality, as Tertullian explained in Against Praxeas, describing the Trinity as “three persons, one substance,” distinct in their roles but unified in essence.

The implications for eschatology are significant: the Story of Grace ends with the idea that “God may be all in all” (1 Corinthians 15:28), a universal healing that mends the brokenness of sin and turns conflict into a harmonious unity that reflects the nature of the Trinity.

Three Truths of Story of Grace

Truth # 1: In God’s Story Jesus is Creator and Redeemer of all creation.

The Son is the image of the invisible God, the firstborn over all creation…And he is the head of the body, the church; he is the beginning and the firstborn from among the dead, so that in everything he might have the supremacy. (Colossians 1:15, 18)

Transcendence (God Above All) and Immanence (God Within All)

The term prōtotokos (firstborn) when referring to Christ highlights His unique position, not just in time but in essence. According to Karl Barth in Church Dogmatics (IV/1), Jesus is both the Creator and Redeemer, connecting the eternal with the present world.

Being the firstborn signifies not only Christ’s authority over all creation, similar to the “thrones or dominions” noted in Colossians 1:16, but also emphasizes His intimate relationship with all creation, filling it with divine life. This idea connects to Boethius’s view of eternity as “the simultaneous and complete possession of infinite life” in The Consolation of Philosophy, where eternity meets time through Christ’s life, making the invisible God (theos aoratos) truly present in our world. This dual nature of Christ also points to future renewal, as Athanasius mentions in On the Incarnation, “He became what we are that He might make us what He is,” meaning that humanity and creation are invited to share in God’s glory.

Romans 8:19–21 describes creation’s struggle as it waits for freedom from decay, leading to the “freedom of the glory of the children of God,” with Christ referred to as the “firstborn among many brothers and sisters” (Romans 8:29). Therefore, the resurrection starts a new age, where, as Jürgen Moltmann writes in The Coming of God, Christ brings about a “new creation” that redeems both people’s souls and the material world, suggesting a renewed environment filled with grace where decay gives way to lasting life.

Truth # 2: In God’s Story everything is being renewed into the likeness of the Trinity.

For in him all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. (Colossians 1:16)

Reciprocating Love From the Trinity

The prepositions “through” (dia) and “for” (eis) Christ describe a relationship based on the mutual love within the Trinity, where creation comes from the Father’s generous love for the Son, and is brought to life by the Spirit. As Charles Spurgeon said, “just as they are united in creation, they are united in salvation, working together as one God for our salvation.”

This reflects the harmonious unity and diversity of the Godhead, which Herman Bavinck refers to as the “archetype of man” and all creation, where “unity and diversity coexist without harming each other.

Philosophically, this relates to Hegel’s concept of thesis-antithesis-synthesis, but reinterpreted in Christian terms as a peaceful harmony, where diversity enhances unity without conflict. Biblically, Ephesians 1:9–10 supports this idea: God “made known to us the mystery of his will… to unite all things in him, things in heaven and things on earth,” showing a Trinitarian coming together that opposes chaos with abundant life, as seen in Genesis 1’s repeated mentions of “all” and “every,” symbolizing God’s overflowing creativity (with 87 million species estimated today). In the future, this suggests a fulfilled order in Revelation 22:1–5, where the river of life flows from God’s throne and the Lamb, nurturing a restored creation in lasting communion, free from the curse (Genesis 3:17–19).

Truth # 3: In God’s Story redemption and renewal is universal in scope.

For God was pleased to have all his fullness dwell in him, and through him to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross. (Colossians 1:19-20)

The plērōma (fullness) that lives in Christ represents the complete nature of God (Colossians 2:9). It brings about a cosmic apokatallassō (reconciliation), as Irenaeus’s theory suggests: Christ “summed up all things in Himself,” restoring the broken universe.

This wide-reaching scope—covering “all things” (ta panta)—challenges ideas that focus only on humans for salvation, extending even to the suffering creation (Romans 8:22). John Piper emphasizes that “Jesus isn’t just the means. He is the great end,” the purpose of history.

Theologically, this connects with Augustine’s City of God, where grace changes selfishness into love for others, reflecting the Trinity’s unity (John 17:21–23). Looking to the future, Hebrews 1:2–3 describes Christ as heir and supporter, whose cleansing work points to the “world to come” (Hebrews 2:5), a renewed universe where “the wolf shall dwell with the lamb” (Isaiah 11:6), suggesting the end of harmful structures and the establishment of peace.

Implications of the Scope of God’s Story of Grace

First, God’s Story unfolds through salvation history. This means that God reveals Himself slowly over time, as Edwards suggests, allowing people to understand gradually without being overwhelmed. This helps them grow spiritually towards the ultimate vision. The story of Israel—from slavery in Egypt to freedom (Exodus 19–20), judges to kings (1 Samuel 8–2 Samuel 7), and exile to recovery (Ezra 1–6)—shows God’s qualities: grace, greatness, and loyalty. It all leads to Christ, who says, “Whoever has seen me has seen the Father” (John 14:9). This history points to the end times, where people can see God’s ultimate glory (1 John 3:2).

Secondly, God’s Story unfolds through the nations. Acts 17:26–27 tells us that God sets times and places “that they should seek God,” guiding cultural strengths towards a reflection of God’s nature. For example, Athenian democracy, developed from its unique conditions, sports, and theater, encourages unity in diversity, which is further enhanced by the inclusive values of Christianity (Galatians 3:28). This idea comes together in Revelation 7:9–10, portraying a diverse group worshiping Jesus, fulfilling God’s promise to Abraham (Genesis 12:3) in a beautiful diversity.

Third, God’s Story touches all cultural expressions. Language, stories, ideas, social connections, and artifacts can all be used for divine purposes. For instance, the Phoenician alphabet and papyrus allowed the creation of the Hebrew Scriptures, with “Bible” coming from Byblos, showing God’s guiding hand in history. In the end, this hints at a renewed way of understanding in the new Jerusalem, where “the leaves of the tree are for the healing of the nations” (Revelation 22:2), turning cultural creations into tools for eternal connection.

Conclusion

This project, developed over thirty years and starting in 2023, aims to understand God’s redemptive influence, bringing joy to life within the Trinitarian story. Just as Edwards’s unfinished work inspires modern extensions like Gerald McDermott’s A New History of Redemption, the Spirit—seen in Colossians 1:8–9—enables participation in divine glory (John 17:5). In this Story of Grace, the unity and diversity of creation reflect the Trinity, moving toward a future where all is made new, continuously echoing the Father’s love through the Son in the Spirit.